Story studio

Publish a story

Paste a structured story JSON file. The story is saved to the local the_stories/ folder and immediately appears in the library.

Security note: the default token is for local development only. Set a private ADMIN_TOKEN environment variable before exposing this app to the internet.

Admin tokenStory JSON

{
  "schema_version": "1.0",
  "story": {
    "story_id": "the-last-train-to-vijayawada",
    "title": "The Last Train to Vijayawada",
    "subtitle": "Some goodbyes arrive years late. Some chances arrive just before the train leaves.",
    "author": "SocialFetch Story Studio",
    "language": "en",
    "genre": [
      "Romance",
      "Slow Burn",
      "Second Chances",
      "Indian Fiction"
    ],
    "content_rating": "Mature Romance",
    "tags": [
      "Andhra Pradesh",
      "Monsoon",
      "Railway Station",
      "Second Chances",
      "Emotional Intimacy"
    ],
    "synopsis": "On a rain-soaked railway platform in Andhra Pradesh, Ananya and Karthik meet again after years of silence. A cup of station tea, an old photograph and a letter never sent force them to decide whether the past should remain a memory—or become a beginning.",
    "characters": [
      {
        "character_id": "ananya",
        "name": "Ananya",
        "age": 32,
        "description": "Fictional adult Indian woman with warm medium-brown skin, an oval face, expressive dark-brown eyes, and long dark wavy hair parted slightly to one side. She wears a deep teal-blue cotton kurta, cream dupatta, small silver earrings and a simple wristwatch. Thoughtful, self-possessed, quietly emotional."
      },
      {
        "character_id": "karthik",
        "name": "Karthik",
        "age": 34,
        "description": "Fictional adult Indian man with medium-brown skin, a natural defined face, short slightly wavy black hair, neatly trimmed stubble and deep-brown eyes. He wears a charcoal-blue casual shirt with sleeves rolled to his forearms, dark trousers and a black wristwatch. Reserved, observant, carrying unresolved regret."
      }
    ],
    "visual_style": {
      "style": "Photorealistic cinematic film still",
      "location": "A railway station and nearby town in Andhra Pradesh, India",
      "color_palette": [
        "Monsoon blue",
        "Wet charcoal",
        "Warm amber station lights",
        "Cream",
        "Muted teal"
      ],
      "consistency_notes": [
        "Keep Ananya's face, age, warm medium-brown skin, oval face, expressive dark-brown eyes, long dark wavy hair, teal-blue kurta, cream dupatta, silver earrings and wristwatch consistent in every scene.",
        "Keep Karthik's face, age, medium-brown skin, short slightly wavy black hair, neat stubble, charcoal-blue shirt, dark trousers and black wristwatch consistent in every scene.",
        "Both characters are fictional adults. When both are present in a scene, show both with clear faces and natural anatomy.",
        "Use realistic Indian railway details and Andhra Pradesh atmosphere. Do not change ethnicity, age, hairstyle, facial features or outfits between images."
      ]
    },
    "cover_image": {
      "filename": "cover.webp",
      "alt": "Ananya and Karthik facing each other on a rainy Andhra Pradesh railway platform, with a train approaching behind them.",
      "aspect_ratio": "2:3",
      "prompt": "Photorealistic cinematic literary-romance cover, no text. Show BOTH main characters clearly and consistently: Ananya, a 32-year-old Indian woman with warm medium-brown skin, oval face, expressive dark-brown eyes, long dark wavy hair, wearing a deep teal-blue cotton kurta, cream dupatta, small silver earrings and simple wristwatch; and Karthik, a 34-year-old Indian man with medium-brown skin, short slightly wavy black hair, neatly trimmed stubble, charcoal-blue shirt with rolled sleeves, dark trousers and black wristwatch. They stand several feet apart on a rain-soaked railway platform in Andhra Pradesh, looking at each other with recognition, regret and a small trace of hope. An Indian passenger train glows in the distance, rain mist and amber station lamps, wet platform reflections, realistic adult faces and hands, authentic Indian setting, cinematic shallow depth of field, vertical 2:3 composition. No text, no watermark."
    },
    "reading_settings": {
      "layout": "illustrated_chapter",
      "image_placement": "after_paragraph",
      "show_captions": false,
      "show_scene_titles": true,
      "paragraph_max_width": "760px",
      "image_border_radius": "12px"
    },
    "scenes": [
      {
        "scene_id": "rainy-platform",
        "scene_number": 1,
        "heading": "The Platform Between Them",
        "image": {
          "filename": "01-rainy-platform.png",
          "alt": "Ananya and Karthik unexpectedly see each other on a rainy Andhra Pradesh railway platform.",
          "aspect_ratio": "16:9",
          "placement": {
            "position": "after_paragraph",
            "after_paragraph_index": 2
          },
          "prompt": "Photorealistic cinematic film still at an Andhra Pradesh railway platform during a monsoon evening. Show BOTH characters clearly: Ananya, 32, warm medium-brown skin, oval face, expressive dark-brown eyes, long dark wavy hair, wearing a deep teal-blue cotton kurta, cream dupatta, small silver earrings and wristwatch; Karthik, 34, medium-brown skin, short slightly wavy black hair, neatly trimmed stubble, charcoal-blue shirt with rolled sleeves, dark trousers and black wristwatch. They have just recognized each other after years apart, standing several feet away with surprise, longing and unfinished words in their expressions. Rain glistens on the platform, a train approaches in the distance, authentic Indian station signs and benches without readable text, natural anatomy, clear faces, cinematic amber-and-blue lighting, landscape 16:9. No text, no watermark."
        },
        "paragraphs": [
          "The rain had turned the railway platform into a long mirror. Yellow lights trembled in the puddles, and the loudspeaker crackled through an announcement that nobody seemed to understand.",
          "Ananya stood near a pillar, one hand holding the strap of her bag and the other protecting a small paper envelope from the rain. Her teal-blue kurta was darkened at the sleeves, and her cream dupatta clung lightly to one shoulder. She looked up when footsteps stopped nearby.",
          "Karthik. Older than the man she remembered, with a little more tiredness around his eyes, but unmistakably him. His charcoal-blue shirt was damp at the shoulders. For a moment, neither of them moved.",
          "“Ananya,” he said, as if the name had been waiting years to leave his mouth.",
          "She had rehearsed this meeting in her head a hundred times. In none of those rehearsals had her heart forgotten how to beat."
        ]
      },
      {
        "scene_id": "station-tea",
        "scene_number": 2,
        "heading": "Two Cups of Tea",
        "image": {
          "filename": "02-station-coffee.webp",
          "alt": "Ananya and Karthik sit across from each other at a small station tea stall.",
          "aspect_ratio": "16:9",
          "placement": {
            "position": "after_paragraph",
            "after_paragraph_index": 2
          },
          "prompt": "Photorealistic cinematic film still at a small railway-station tea stall in Andhra Pradesh at night. Show the same Ananya, 32, warm medium-brown skin, oval face, expressive dark-brown eyes, long dark wavy hair, teal-blue cotton kurta, cream dupatta, silver earrings and wristwatch; and the same Karthik, 34, medium-brown skin, short slightly wavy black hair, neat stubble, charcoal-blue shirt with rolled sleeves, dark trousers and black wristwatch. They sit opposite each other at a modest table with two steaming paper cups of tea. Ananya watches cautiously while Karthik tries to begin a difficult conversation. Rain and blurred train lights behind them, authentic South Indian station atmosphere, natural hands and faces, restrained emotional tension, landscape 16:9. No text, no watermark."
        },
        "paragraphs": [
          "The tea stall was crowded enough to make silence feel less obvious. Karthik bought two paper cups and asked whether she still took her tea without sugar.",
          "“You remember that?” Ananya asked.",
          "“I remember more than I know what to do with.” He placed her cup in front of her and sat down, leaving a careful space between their elbows.",
          "They spoke first about harmless things: the rain, the delay, the town she had been visiting. Every ordinary sentence seemed to circle the one question they had both come to ask.",
          "“You disappeared,” she finally said. Her voice was steady, which surprised her. “You could have written.”",
          "Karthik looked at the tea between his hands. “I wrote. I just never sent the letters.”"
        ]
      },
      {
        "scene_id": "old-photograph",
        "scene_number": 3,
        "heading": "The Photograph",
        "image": {
          "filename": "03-old-photograph.webp",
          "alt": "Ananya and Karthik look together at an old photograph on a station bench.",
          "aspect_ratio": "16:9",
          "placement": {
            "position": "after_paragraph",
            "after_paragraph_index": 2
          },
          "prompt": "Photorealistic cinematic medium close-up on an Indian railway-station bench. Show the same Ananya (32, warm medium-brown skin, oval face, dark-brown eyes, long dark wavy hair, teal-blue cotton kurta, cream dupatta, silver earrings, wristwatch) and the same Karthik (34, medium-brown skin, short slightly wavy black hair, neat stubble, charcoal-blue rolled-sleeve shirt, dark trousers, black wristwatch). They sit side by side looking at a small faded photograph held carefully between them. Their shoulders are close but not touching; both faces are clearly visible, carrying tenderness and sadness. Rainy station lights softly blur behind them, realistic hands and adult faces, cinematic shallow depth of field, landscape 16:9. No readable writing, no text, no watermark."
        },
        "paragraphs": [
          "Karthik reached into his wallet and took out a photograph protected by a thin plastic sleeve. It showed them years earlier, standing outside a bookshop, laughing at something just beyond the frame.",
          "Ananya touched the worn corner with her thumb. She remembered the afternoon, the sudden rain, and how certain she had been that the future would give them time.",
          "“I kept it because I didn't know how to keep anything else,” he said.",
          "“A photograph isn't an apology.”",
          "“I know.” He did not defend himself. Somehow that hurt more than an excuse would have.",
          "For the first time that night, Ananya saw not the boy who had left, but the man who had lived with leaving."
        ]
      },
      {
        "scene_id": "unsent-letter",
        "scene_number": 4,
        "heading": "The Letter He Never Sent",
        "image": {
          "filename": "04-unfinished-letter.webp",
          "alt": "Ananya reads a handwritten letter while Karthik waits beside her in a quiet station waiting area.",
          "aspect_ratio": "16:9",
          "placement": {
            "position": "after_paragraph",
            "after_paragraph_index": 2
          },
          "prompt": "Photorealistic cinematic film still in a quieter corner of an Andhra Pradesh railway station. Show both consistent characters: Ananya, 32, warm medium-brown skin, oval face, expressive dark-brown eyes, long dark wavy hair, teal-blue cotton kurta and cream dupatta; Karthik, 34, medium-brown skin, short slightly wavy black hair, neat stubble, charcoal-blue shirt with rolled sleeves and dark trousers. Ananya reads a folded handwritten letter while Karthik sits beside her, looking down with vulnerable restraint. Their faces and hands are clear, the letter contains no legible text, a dim amber lamp and rain-streaked window create intimate quiet. Realistic Indian adults, cinematic lighting, landscape 16:9. No text, no watermark."
        },
        "paragraphs": [
          "The envelope in Ananya's hand had been meant for him. She had carried it for months, then years, telling herself that one day she would know what to say.",
          "When she placed it between them, Karthik stared at her name written in her own handwriting. He opened it carefully, as if the paper might bruise.",
          "The letter did not accuse him. It described the months after he left, the ordinary days that became difficult, and the slow work of learning not to wait beside a phone.",
          "“I don't need you to fix those years,” she said. “I needed you to understand that they happened.”",
          "He nodded, eyes shining in the station light. “I understand that now. I wish I had understood it then.”",
          "Outside, the rain softened. For the first time, the silence between them was not an empty room. It was a place where the truth could sit."
        ]
      },
      {
        "scene_id": "last-train",
        "scene_number": 5,
        "heading": "The Last Train to Vijayawada",
        "image": {
          "filename": "05-platform-goodbye.webp",
          "alt": "Ananya and Karthik stand together near the open doors of a train bound for Vijayawada.",
          "aspect_ratio": "16:9",
          "placement": {
            "position": "after_paragraph",
            "after_paragraph_index": 2
          },
          "prompt": "Photorealistic cinematic film still on a rain-washed Andhra Pradesh platform as the last train to Vijayawada prepares to depart. Show both main characters with exact consistent appearances: Ananya, 32, warm medium-brown skin, oval face, expressive dark-brown eyes, long dark wavy hair, deep teal-blue cotton kurta, cream dupatta, small silver earrings, wristwatch; Karthik, 34, medium-brown skin, short slightly wavy black hair, neatly trimmed stubble, charcoal-blue shirt with rolled sleeves, dark trousers, black wristwatch. They stand beside an open train door facing one another, their hands almost touching, with a difficult but hopeful decision in their expressions. Indian train carriage and platform lights, rain haze, natural proportions and clear faces, cinematic composition, landscape 16:9. No text, no watermark."
        },
        "paragraphs": [
          "A whistle cut through the platform noise. The train to Vijayawada had arrived, and the few minutes they had borrowed from the night were nearly gone.",
          "Ananya looked at the open carriage door, then at the letter in Karthik's hand. She had planned to travel alone. That plan had kept her safe, and she was proud of the life she had built without him.",
          "“I'm not asking you to forgive me tonight,” Karthik said. “I'm only asking whether we can speak again when there isn't a train counting down for us.”",
          "She studied him, searching for the old certainty that had once frightened her. It was not there. In its place was a quieter thing: a willingness to wait for her answer.",
          "“You can call me tomorrow,” she said. “One call. We will see what comes after that.”",
          "It was not a promise to return to the past. It was a small door opened toward a future neither of them could yet name."
        ]
      },
      {
        "scene_id": "morning-after",
        "scene_number": 6,
        "heading": "A Different Kind of Beginning",
        "image": {
          "filename": "06-riverside-morning.webp",
          "alt": "Ananya and Karthik sit by a riverside in soft morning light after the rain.",
          "aspect_ratio": "16:9",
          "placement": {
            "position": "after_paragraph",
            "after_paragraph_index": 2
          },
          "prompt": "Photorealistic cinematic film still in soft golden morning light beside a river in Andhra Pradesh. Show the same Ananya, 32, warm medium-brown skin, oval face, expressive dark-brown eyes, long dark wavy hair, teal-blue cotton kurta, cream dupatta, small silver earrings and wristwatch; and the same Karthik, 34, medium-brown skin, short slightly wavy black hair, neat stubble, charcoal-blue shirt with rolled sleeves, dark trousers and black wristwatch. They sit on a low riverside step with two cups of tea, a little distance between them, watching sunlight touch the water. Their expressions are tired but hopeful, not exaggerated or posed. Authentic Andhra riverbank, wet stone, green leaves after rain, natural anatomy, clear faces, warm ivory and muted gold cinematic palette, landscape 16:9. No text, no watermark."
        },
        "paragraphs": [
          "By morning, the rain had moved east. The river carried a pale gold line of sunlight, and the town smelled of wet earth and fresh tea.",
          "Ananya met Karthik at a small riverside stall after the train journey. They had not solved the past overnight. They had not even decided what to call the fragile thing between them.",
          "He passed her a cup without asking how she took it. This time, he waited for her to tell him.",
          "“Less sugar,” she said, then smiled at the memory of the question from the station.",
          "They sat beside the water and spoke slowly, leaving room for difficult truths and ordinary details. No grand declaration arrived. No music rose around them. There was only the morning, the river, and two people choosing to stay for one more conversation.",
          "When they finally stood to leave, Karthik did not reach for her hand. Ananya reached for his first. It was a small gesture, almost ordinary, and that was why it mattered."
        ]
      }
    ]
  }
}